The House No. 1

Kornkrit Jianpinidnan tells us about The House No. 1, part of Prism a series of photographs and installations set to accompany Pichet Klunchun’s peformance of Ganesh.
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When Soft Voice Dies-1

Zhang Shuang talks about When Soft Voice Dies-1, one of the paintings currently on display at the exhibition, Another World Another Boundary, where she collaborates with six other Chinese artists. (read more...)

Untitled

Paris-based photojournalist Alain Soldeville depicts Bangkok’s unrelenting consumerism through his latest exhibition, Dreaming Alien. Here, he talks about one of the images he captured during his stay in the city.(read more...)

Seeing Dharma

Komkrit Sawatdirom tackles the concept of enlightenment by basing his new series of paintings on Buddha’s wisdom. Here, he talks about Seeing Dharma, one of 17 acrylic paintings he displays in the joint exhibition, A Path to Enlightenment… the Art of Dharma, where he collaborates with Paramat Lueng-on. (read more...)

Someone Inside

Narissara Pianwimungsa attempts to reveal who we are beneath our clothes through Someone Inside, one of the artworks currently on display in her latest solo exhibition, Heart Core.

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Fever

Known for her penchant for vibrant paintings of voluptuous women, Elizabeth Romhild is back with a collection of bronze sculptures, Wild and Whimsical. (read more...)

STATE OF THE ART: Delicate Cargo

Bangkok-based photographer Marc Schultz has a penchant for capturing Thai life. Here, he talks about one of his photos currently on display in his latest project, Urban Lines. (read more...)

Known for his use of different artistic disciplines from jewelry and sculpture to photography and thematic installation, Stephen J. Albair talks about Untitled, a piece from his exhibition Hidden Gardens-Private Views. See http://bkmagazine.com/feature/art-january-08-2010

Pachcharapong Meesilp talks about his painting, Dreamy, currently on display as part of the exhibition Deep Desire.. See http://bkmagazine.com/feature/art-dec-25-2009

American photographer John Wehrheim’s exhibition, Taylor Camp 1969-1977, documents a clothing-optional, pot-friendly tree house village that rose to fame in the peace and love-fuelled 70s. Here, he talks about Teri Rocking Emma, 1975. See http://bkmagazine.com/feature/art-dec-18-2009